Tuesday, 7 August 2012

entirely possible


A few years ago, I had the privilege of being asked to speak at the KC.

The content was to be from the beatitudes - Matthew 5. In preparation, I noticed a few things that stood out, but the thing I really wanted to emphasise were inspired by something I'd heard from someone else.

The Lord's/Disciples prayer is smack in the centre of the passage known historically as the "sermon on the mount".

And it's made up for five things:

  1. Acknowledging God is bigger than we are (Our Father in heaven, holy is Your Name)
  2. We need His ways of thinking and doing (Your kingdom come, your will be done)
  3. Help us deal with the past (Help us forgive our debtors)
  4. Thank you for being with us in the present (Give us food to eat)
  5. Let's go into the future together (Help us forgive those who will wrong us)


This has been in the front of my mind for a few weeks now.

It's a simple faith.

To stop trying to do it in my own strength. Stop treading water.


I think I had got in a rut of existing without living in an awareness of the presence of God. Yeah, I might talk about walking with Him, but am I stumbling in the gloom of self-indulgent, pseudo-darkness?

His timing is perfect. His ways are just.

There is a growing sense in me of the possible. Of what can happen. Of what can be.

Let it come.

Monday, 6 August 2012

You act too much

“...now I have to jump in with both feet. When I am preaching the application of theatrical thinking and technique to the business world (or to presentations), I often hear the criticism that I ‘want people to be fake, to pretend to be something they are not.’ This criticism is based on a fundamental and massive misconception of theater — the idea that theater is a form of pretense.


“This is manifestly not the case. Great actors do not ADD anything to themselves in acting. Instead, they selectively REVEAL. On stage — whether acting or presenting — I am never someone else. I reveal some aspect of myself to the audience. I reveal my genuine enthusiasm for the theme, or my real worries about the situation. Only thus can I be genuine, be authentic.”

(comment taken from Slide decoration: how much is too much?)


And so do I.

Saturday, 4 August 2012

Monitoring who?

I've been working through a pile of thoughts captured on Evernote and as draft blog posts.


I came across these words I'd written ten months ago. I sounded much more intelligent than I feel right now:


Something about listening and being listened to.
It's part of the development from radical to accepted to normal to hackneyed to outdated. At the point of moving to accepted to normal, we start to categorise risk and exercise control. In many, many cases, this kills innovation and restricts growth.
And so something else will come along that challenges the measures, risk-controlled norm and we call that *radical*.
And so it goes on.
Art is often the radical. The fringe. The outcast. I've said before that I like the outside view. I'd like to be more creative with that view. Intentionally and spontaneously.

I wish i knew what I was talking about and what I'd been thinking about.

So I thought I'd just post it and see if anyone could help... I'm not daft enough to think I have all the answers.


Help me out, if you can.